Information Package

Ph.D. on Radio, Television and Cinema

RTS604

DIFFERENT FORMS IN DOCUMENTARY

Course Code
RTS604
Semester
-
Theory+Practice
3 + 0
ECTS
15
Course TypeElective Course
Course LevelDoctorate Of Science
Year of Study-
Semester-
ECTS15
Name of Lecturer(s)
Learning Outcomes

At the end of this course, the students;

  1. Knows the general characteristics of documentary.
  2. Questiones the relation between reality and the documentary.
  3. Knows the forms emerging in the historical development of documentary.
  4. Knows basic forms of documentary.
  5. Knows different forms of documentary.
Mode of DeliveryFace to face
PrerequisitesNo
Recommended Optional Programme ComponentsNo.
Course DescriptionAt the end of this course, the students learn the general qualities of documentary and they question the relationship between documentary and reality. The students learn the different forms of documentary films that emerge within its historical development and comprehend the basic narrative forms and different forms of documentary.
Course Contents
WEEK TOPICS
1st Week Definition and aim of documentary
2nd Week Reality in documentary, presentation and representation
3rd Week Historical development of documentary
4th Week Different mediums for documentary; cinema, television, digital platforms
5th Week Basic documentary forms
6th Week Different forms of documentary
7th Week New media documentaries; web, interactive, database, transmedia, crossmedia, non-linear documentary
8th Week Exhibited documentaries, multi screen documentaries
9th Week First person documentaries, Essay Film
10th Week 3D
11th Week Mockumentary
12th Week Documentary game
13th Week Virtual reality and documentary
14th Week Animadocs
Recommended or Required Reading- Alter, N. M. (2007). Translating The Essay into Film and Installation. Journal of Visual Culture, 6(1), p.44-57.
- Atabey, M. (2005). Belgesel Film Yapımında Yeni Yönelimler ve Melez Formlar. Yeni DÜŞÜNCELER. 1(1), Haziran 2005, 217-218.
- Aufderheide, P. (1997). ?Public Intimacy: The Development of First-person Documentary?. Afterimage, 25 (1).
- Austin, T. (Ed.). Rethinking Documentary: New Perspectives, New Practices. McGraw-Hill Education, 2008.
- Corrigan, T. (2011). The essay film: from Montaigne, after Marker. Oxford University Press.
- Costa, A. L., (January 9, 2012). 6 Filmmakers Talk About Documentary Films in the Digital Age.
- Hight C. (2008). The Field of Digital Documentary: a Challenge to Documentary Theory. In Studies in Documentary Film, Volume 2 Number 1, Intellect Ltd. 3-8.
- Johnstone, M. (2014). Redefining the Documentary: Experimental Forms Explore New Territory.
- Lebow, A. (2012). The Cinema of Me: The Self and Subjectivity in First Person Documentary. Columbia University Press.
- Nash, K., Hight, C., & Summerhayes, C. (Eds.). (2014). New Documentary Ecologies: Emerging Platforms, Practices and Discourses. Springer.
- Nelson, J. (2012). Social Media as a Filmmaking Narrative Tool. Image & Text: a Journal for Design, 20, 146-161.
- Nichols, B. (1991). Representing reality: Issues and Concepts in Documentary. Vol. 681. Indiana University Press.
- Nichols, B.(2010). Introduction to Documentary. Indiana University Press.
- Rabiger, M. (1998). Directing The Documentary. Boston: Focale Press.
- Rascaroli, L. (2008). The essay film: Problems, definitions, textual commitments. Framework: The Journal of Cinema and Media, 49(2), 24-47.
- Rotha, P.(2000). Belgesel Sinema. İbrahim Şener(çev.), İstanbul: İzdüşüm Yay.
- ?ukaityt?, R. (2012). Documentaries on the Web: A New Expanded Consciousness, Cinematic Genre And Cultural Experience. Acta Academiae Artium Vilnensis, (67).
Planned Learning Activities and Teaching Methods
  • Lecture
  • Questions/Answers
  • Presentation
Assessment Methods and Criteria
Quantity Percentage (%)
Mid-term 1 40
Total(%) 40
Contribution of In-term Studies to Overall Grade(%) 40
Contribution of Final Examination to Overall Grade(%) 60
Total(%) 100
Language of InstructionTurkish
Work Placement(s)No
LO1 LO2 LO3 LO4 LO5
K1 X X
K2 X X
K3 X X